Online Syllabus

COURSE SYLLABUS

 

Course Name & Number

Music Appreciation

MUSI 1306.580

Semester & Year

Day & Time

 

SP 2017

Online

 

Catalog Description

An introductory course for non-music majors covering elements of music, a brief study of musical forms, historical periods and composers. An effort is made to develop the listening repertoire. This is not a performance course, and the ability to read music is not required.

 

Textbooks, Required Materials

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Basic Responsibilities of Students

REQUIRED TEXT: Paper or Online version is acceptable.

Roger Kamien

MUSIC: An Appreciation, Brief, 8th Edition

ISBN: 978-0-07-783731-0

EBOOK Information – includes all recordings (recommended for online students):

ISBN: 978-1-25-915865-0

CDs that accompany the book are not required.

 

THIS COURSE IS SELF-GUIDED AND REQUIRES TIME, CONCENTRATION, LISTENING, ANALYZING, AND EXCELLENT WRITTEN COMMUNICATION SKILLS.

 

REQUIRED TECHNOLOGY:

In addition to the required text, students in this course must have access to a computer with high-speed internet access, Microsoft Word, Adobe , and software that supports jpeg, avi and wmv files (free downloadable internet links available at the Resource Tab).

 

It is your individual responsibility to 1) know the requirements for this course 2) check your NCTC email regularly 3) complete all of the online training/Canvas orientation required for this course 4) ensure that your electronic components support Canvas and any/all other requirements for this course and 5) read and understand this syllabus.

 

Learning Outcomes

Upon successful completion of the course, the student will:

 

  1. Demonstrate the ability to recognize and describe musical elements including rhythm, music notation, melody, harmony, key, musical texture and musical form.
  2. Demonstrate an understanding of the historical musical period from         450 AD to the present.
  3. Demonstrate the ability to recognize styles, music, and composers from each period.
  4. Demonstrate the ability to identify and associate social, religious, and economic events which correlate to musical trends.
  5. Describe in some detail and discuss perceptively the role of music in the well-being of the human spirit.

 

 

Instructor’s Name

Lacey Hays

Office Phone #

N/A – use email

 

Instructor’s Office #

N/A

Office Fax #

N/A

 

E-mail Address

lhays@nctc.edu

Office Hours

By appointment

 

Grading Policy & Procedures

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Reading & Listening

 

 

 

 

 

 

 

 

Student Responsibility forn Computer Settings

 

 

 

 

 

 

 

WRITING FORMAT

 

 

 

 

 

 

 

 

 

 

 

 

 

NO LATE ASSIGNMENTS ACCEPTED.

 

 

 

 

 

 

 

CHECK THE ANNOUNCEMENTS TAB IN CANVAS REGULARLY THROUGHOUT THE COURSE.

 

 

 

 

 

 

GRADES:

 

 

 

 

 

 

 

 

 

 

 

COURSE LAYOUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Explanation of each graded category:

 

DEFINING MUSIC PAPER (Writing assignment #1)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

QUIZZES

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DISCUSSION BOARDS and DISCUSSION POSTS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

GROUP Discussion

 

 

 

 

 

 

 

 

 

RESEARCH PAPER

(Writing assignment #2)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FINAL PROJECT

 

 

 

 

 

 

 

 

 

 

 

Writing Format REMINDER

Please read this section of the syllabus many times in the first three weeks of class & keep the syllabus handy for additional questions you may have throughout the semester.

This course is mainly SELF GUIDED! Therefore, students must take personal responsibility and read instructions carefully, be aware of due dates, and plan ahead to be successful in this course.

 

TIME & WRITING REQUIREMENTS: This course requires a good deal of reading, listening, observation and writing components. It is your responsibility to ensure that all written assignments use proper spelling, grammar and punctuation FOR EVERY ASSIGNMENT, INCLUDING DISCUSSION POSTS. As needed on an individual basis, you must make time to schedule a visit to the writing center, or use GRADE RESULTS under eLearning/STUDENT RESOURCES on the nctc home page, or visit this address: http://nctc.edu/eLearning_Department/Grade_Results.aspx

 

You should AUTOMATICALLY read the corresponding section/s in your book when EACH MODULE opens. In addition to Reading each section, you must also follow along with the LISTENING SAMPLES that are included in your TEXT by watching the videos in Canvas. Look for and observe the characteristics of each Listening Sample. Be aware of what characteristics you hear in the music that correspond with the reading for that section/historical era.

 

It is the responsibility of each student to ensure that their computer has the appropriate SETTINGS and configurations so that they may fully participate in this course offered in Canvas. Should a student need help with their computer settings, they must contact the NCTC IT department. Dr. Hays CANNOT help you with your computer settings. You are also responsible to check your NCTC email regularly.

 

WRITING FORMAT:

***ALL WRITTEN ASSIGNMENTS MUST BE completed in Microsoft WORD, DOUBLE SPACED and in 12 point TIMES NEW ROMAN Format. MLA is the format you should follow.

You will receive a ZERO on any written assignment that is not in this format!

You must access the writing center for help on written assignments. Any spelling, grammar or punctuation mistake is -2 points on each written assignment. Online discussions and posts must also be formally written. The same grading practices apply (-2 for each writing error). NCTC has a WRITING CENTER that can help you with this format as needed.

 

NO LATE ASSIGNMENTS, WRITTEN ASSIGNMENTS, DISCUSSION POSTS, QUIZZES or LISTENING EXERCISES will be accepted. You have access to ALL dates for written assignments in advance. IF any discussion post due dates are changed, it will always be in your favor. Due dates for discussion posts and quizzes will never be earlier than posted online, only later (if they are changed at all). It is your responsibility to login to the course, check announcements/due dates on a weekly basis. Email me directly with any questions.

 

CHECK THE ANNOUNCEMENTS TAB IN CANVAS REGULARLY (AT LEAST TWICE WEEKLY) FOR IMPORTANT COURSE UPDATES/INFORMATION. Sometimes there will NOT be any new announcements or information available for quite a while. YOU SHOULD STILL CHECK the course announcements tab a minimum of TWICE weekly.

Check due dates CAREFULLY!!! It is your responsibility to know due dates. Late assignments are NOT accepted.

 

 

 

 

Grades are based on the following:

 

10% Defining Music Paper

30% Quizzes

25% Discussion Posts (including one Discussion Post that will include group discussions – members of each group to be assigned by Canvas)

15% Research Paper

20% Final Project

10% Optional Extra Credit

 

This online course is offered in CANVAS and accompanies the TEXTBOOK. THIS COURSE IS SELF GUIDED. Your book refers to Part 1 as “Elements.”   In this chapter/section of the book, the elements of music are presented. WHEN EACH MODULE OPENS IN CANVAS, You are supposed to automatically read the text and observe the accompanying module(s) in Canvas for each Part in your text. After you have completed the reading and Canvas modules/videos for a particular section/part, you are to participate in the Discussion Board for that part. There are almost always multiple posts/replies required for a discussion board and they have specific due dates. HOWEVER, ONLY THE FINAL DUE DATE SHOWS in Canvas for each discussion post. You must READ THE INSTRUCTIONS for each Discussion Post to know WHEN specific assignments are due. You must plan ahead and self-guide yourself through the materials in a timely manner. In addition to a discussion board for each section/part, there is also a QUIZ. Assignments are almost always due on Sunday nights.

 

10% of overall grade:

DEFINING MUSIC PAPER

 

YOU MUST FOLLOW WRITING FORMAT FOR THIS CLASS OR YOU WILL RECEIVE A ZERO.

Defining Music Paper - 1 page maximum.

Define Music in your OWN WORDS. Use formal writing

practices. The use of FIRST PERSON (the word “I”) is acceptable for this writing assignment ONLY. You are NOT required to use any sources or submit a Bibliography with this assignment. However, if you use a source or quote someone, you must use MLA citation. FOLLOWTHE FORMAL FOR ALL WRITTEN ASSIGNMENTS (12 POINT FONT, TIMES NEW ROMAN, DOUBLE SPACED, FORMALLY WRITTEN WITH INTRODUCTORY PARAGRAPH, BODY, AND CONCLUSION).

It is highly recommended that you have a classmate PROOF this assignment on your behalf and use of the Writing Center is also highly encouraged. I grade WRITTEN ASSIGNMENTS harshly. Each spelling, grammatical or punctuation error is -2 points.

Due Date: See Canvas. No late assignments accepted.

 

 

30% of overall grade: QUIZZES

Quizzes (A minimum of 8 total quizzes including the syllabus quiz. Lowest grade will be dropped at the end of the semester).

For each section/part, there will be a QUIZ due on the final day that the section is open. IF I should offer more quizzes than 8, the lowest grade will be dropped and the average of your quiz scores will remain at 35% of your overall grade.

Check announcements regularly (twice weekly) for due dates throughout semester. You can find the due date for each quiz on the quiz module. Do NOT miss the deadline for due dates/times on quizzes as no late assignments or submissions are accepted. Quizzes are always due on a Sunday night at 11pm throughout the semester.

 

 

25% of overall grade: DISCUSSION POSTS

Discussion Posts/Online Participation/Attendance

 

25% of your overall grade will be comprised of the average of grades received on your discussion posts. Your posts and replies in/on Discussion Boards must be FORMALLY written. NO TEXTING LANGUAGE OR ABBREVIATIONS!!!!! POINTS WILL BE DEDUCTED FROM DISCUSSION POSTS THAT ARE NOT FORMALLY WRITTEN!

These posts/replies demonstrate your participation in the course. For each section, there will be a discussion post board with specific instructions. The discussion board is meant for you to demonstrate your knowledge of the subject matter that you have read about in your text and studied (concurrently) on Canvas. You must follow specific instructions for each post to gain full credit. There are MULTIPLE POSTS required in each discussion post even though the due date listed on the assignment may be the FINAL post due date. You will have REQUIRED POSTS AND REQUIRED REPLIES that are always due on a Sunday night throughout the semester. READ INSTRUCTIONS on the discussion board assignments CAREFULLY! Multiple due dates are listed even though the final discussion post due date is listed on the assignment itself.

Check announcements regularly for due dates throughout semester. Do NOT miss the deadline for due dates/times on discussion posts which means you MUST do all of the reading and listening in advance of posting to discussion boards.

Please note that if a discussion post has 3 required posts, there are often 2 OR 3 due dates (even though the discussion post will not CLOSE until the final post is due). Due dates are almost always on Sunday nights at 11pm. Note that if you only post once in a discussion post that requires 3 posts, you can only obtain a maximum of 33.3% credit for that discussion board. If you post twice on a discussion post with 3 required posts, you can obtain a maximum of 66.6%. You will have to do ALL required Posts/Replies in order to obtain 100% maximum. All discussion posts must be written formally with proper spelling, grammar and punctuation. -2 points off for each WRITING mistake per assignment/discussion post. You must be able to communicate effectively with your WRITING in this course. EVERYTHING MUST BE FORMALLY WRITTEN.

 

IF a GROUP DISCUSSION is required by the administration this semester, the Romantic ERA will have an assigned GROUP DISCUSSION Board component. Members of Groups will be assigned by Canvas.   See Announcements tab for Romantic Discussion Board later in the semester for instructions should this occur. If NO administration requirements are made for a group discussion, the Romantic Era Discussion board will be a class-wide discussion like all other discussion boards throughout the semester.

 

15% of overall grade: RESEARCH PAPER

 

You may choose to write about a composer, instrument, genre or subject from ANY historical era covered in the textbook. You must have at LEAST 2 reliable and academic resources. You SHOULD contact the NCTC library to ask questions about what acceptable academic resources are (i.e. Wikipedia is NOT an acceptable resource).

 

Your paper should be 2 pages minimum/4 pages maximum and your Works Cited (or Bibliography) should be on a separate page at the end. MLA Format.

 

You may choose to write about a specific genre, composer, instrument, or any historical era (Medieval, Renaissance, Baroque, Classical, Romantic, or 20th Century) as it pertains to music.

 

Previous subjects that students have covered include:

Opera, Symphony, Mozart, Bach, Haydn, Strauss, Mahler, Piano, Harpsichord

Schumann (Robert or Clara), Piano Trio, Oratorio, Mass, String Quartet, Chamber Music, etc.   See Canvas for Due Date.

 

20% of overall grade: FINAL PROJECT

MUST FOLLOW WRITING FORMAT FOR THIS CLASS OR YOU WILL RECEIVE A ZERO.

See instructions at end of syllabus.

Final Project: Concert, Performance or MOVIE Review Paper, 2 page minimum. Proper spelling, grammar, punctuation (and citation if needed), and format required.

Due Sunday, May 8, 11pm . No late assignments accepted.

 

up to 10% Extra Credit is available in this course. SEE “Extra Credit” later in syllabus.

 

WRITING FORMAT:

***ALL WRITTEN ASSIGNMENTS MUST BE completed in   Microsoft WORD, DOUBLE SPACED and in 12 point TIMES NEW ROMAN Format. MLA is the format you should follow.

You will receive a ZERO on any written assignment that is not in this format!

 

Attendance Policy

Attendance will be measured through participation in assigned discussions, quizzes and group project on the course material.

 

Scholastic Integrity

DO NOT CHEAT IN THIS COURSE! If I suspect that you are copying material from others, or other sources, I will immediately contact the DEAN and will have you removed from my course with a failing grade, and will request that the harshest punishment be implemented.

Scholastic dishonesty shall include, but not be limited to cheating on a test, plagiarism, and collusion. See Student Handbook “Student Rights & Responsibilities: Student Conduct [FLB- (LOCAL)]” #20.

NCTC Tobacco Policy

NCTC restricts the use of all tobacco products including cigarettes, cigars, pipes and smokeless tobacco on campus property. NCTC is aware that tobacco use influences underage students which cumulates unsightly tobacco litter and interferes with assuring clean air for all who come to NCTC. NCTC recognizes the health hazards of tobacco use and of exposure to second hand smoke. Information on a tobacco cessation program is available for students, faculty, staff who wish to stop using tobacco products. We would like to "thank you" for your help in making our campuses Tobacco-Free. For questions or concerns please contact the Office of Vice President of Student Services at 940.668.4240

 

Disability Accommodations

The Office for Students with Disabilities (OSD) provides accommodations for students who have a documented disability.  A disability is anything that can interfere with learning, such as a learning disability, psychological challenge, physical illness or injury. Accommodations may include extra time on tests, tests in a distraction reduced environment, volunteer note taker in class, etc.

On the Corinth Campus, go to room 170 or call 940-498-6207. On the Gainesville Campus, go to room 110 in the Administration (100) Building or call 940-668-4209.  Students on the Bowie, Graham, Flower Mound, and online campuses should call 940-668-4209 to arrange for an intake appointment with OSD.

North Central Texas College is on record as being committed to both the spirit and letter of federal equal opportunity legislation, including the Americans with Disabilities Act (ADA) of 1990, ADA Amendments Act of 2009, and Section 504 of the Rehabilitation Act of 1973 (P.L. 93-112).

 

Student Success

STUDENT SUPPORT SERVICES

 

Disability Services (OSD)

The Office for Students with Disabilities (OSD) provides accommodations for students who have a documented disability. On the Corinth Campus, go to room 170 or call 940-498-6207. On the Gainesville Campus, go to room 110 or call 940-668-4209.  Students on the Bowie, Graham, Flower Mound, and online campuses should call 940-668-4209.

North Central Texas College is on record as being committed to both the spirit and letter of federal equal opportunity legislation, including the Americans with Disabilities Act (ADA) of 1990, ADA Amendments Act of 2009, and Section 504 of the Rehabilitation Act of 1973 (P.L. 93-112).   http://www.nctc.edu/StudentServices/SupportServices/Disabilityservices.aspx

 

Support Services

Counseling and Testing staff offer a variety of services to current and prospective students, such as College 101, placement testing, academic advising and course registration, transfer assistance, and College Success seminars (Time Management, Study Skills, Test Anxiety, Choosing a Major, Learning Style Strategies, Career Exploration), and much more.  http://www.nctc.edu/StudentServices/CounselingTesting.aspx

 

Student Success offers academic coaching, tutoring, including a Writing Center, a Math Lab, free 24/7 online tutoring through Grade Results and assist new students acclimate to college by providing computer lab services for prospective students.   First generation students can also participate in TRIO which offers specialized support services.

http://www.nctc.edu/StudentServices/SupportServices.aspx

 

Financial Aid offers financial resources for students that qualify, visit the financial aid offices for more information.  http://www.nctc.edu/FInancialAidHome.aspx

 

Early Alert/CARES

The NCTC Early Alert program has been established to assist students who are at risk of failing or withdrawing from a course. Your instructor may refer you to this program if you are missing assignments, failing tests, excessively absent, or have personal circumstances impacting your academic performance. If submitted as an Early Alert you will be notified via your NCTC e-mail address and then contacted by a Counseling and Testing advisor or counselor to discuss possible strategies for completing your course successfully.

 The NCTC CARES (Campus Assessment Response Evaluation Services) Team addresses behavior which may be disruptive, harmful or pose a threat to to the health and safety of the NCTC community-such as stalking, harassment, physical or emotional abuse, violent or threatening behavior, or self-harm. As a student, you have the ability to report concerning behavior which could impact your own safety or the safety of another NCTC student. Just click the NCTC CARES Team logo posted on MyNCTC, or send an e-mail to CARESTeam@nctc.edu.  As always, if you feel there is an immediate threat to your own safety or welfare (or to another student), please call 911 immediately.

 

 

 

EEOC Statement

North Central Texas College does not discriminate on the basis of race, color, national origin, gender, religion, age, or disability in the employment or the provision of services.

 

Calendar with Learning Outcomes


 

 

 

 

 

 

 

 

Note: Each corresponding part from the textbooks should be read during the week assigned.

 

Quiz days may vary with each section. Each quiz will be available for 3 days minimum. A clearly defined OPEN DATE and CLOSE DATE for each quiz will be listed under course announcements.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Academic Calendar

This calendar is intended to be a GUIDE for students and the professor. Based on class progress, the weeks associated with this calendar may be altered to best fit the needs of the class as a whole. IT IS RECOMMENDED THAT YOU CHECK THE ANNOUNCEMENTS TAB AT LEAST TWICE WEEKLY FOR ANY UPDATES or NEW ASSIGNMENT MATERIAL.

 

FOR EVERY SECTION, You are expected to 1) read the material and view the accompanying videos/information in Canvas when each module opens, 2) participate in the class discussions, and 3) complete the quiz on that section no later than the DUE DATE.

In addition to the reading, discussion and quizzes for each section, there will also be the 1) Defining Music Paper, 2)Research Paper, 3) Romantic Group Discussion Board, and 4)Final Project.

 

Introduction Period

Week 1

SYLLABUS QUIZ – see CANVAS for due date.

 

Part One – Elements (LO 1,3-5)

Week 2 and 3

Groups and Topics assigned during week 2 and/or 3.

Quiz 1 – see announcements for due date.

Parts Two and Three – Middle Ages and Renaissance (LO 1-5)

Week 3-4

Quiz 2 – see announcements for due date.

DEFINING MUSIC PAPER – ROUGH DRAFT DUE DATE: See Canvas

 

DEFINING MUSIC PEER REVEIWS: See Canvas

Part Four – Baroque (LO 1-5)

Week 4-7

Quiz 3 – see announcements for due date.

DEFINING MUSIC PAPER (final version) due date: See Canvas

 

Part Five - Classical (LO 1-5)

Week 8-10

Quiz 4 –see announcements for due date

RESEARCH PAPER OUTLINE /ROUGH DRAFT DUE– with Bibliography

 

RESEARCH PAPER PEER REVIEWS DUE (Peer Reviews are assigned randomly on Canvas)

 

RESEARCH PAPERS DUE a week after PEER REVIEWS are completed (Final Version with Bibliography)


Part Six – Romantic (LO 1-5)

Week 10-13

Quiz 5 – see announcements for due date.

Last Day to Drop with W – April 7

                                                                       

Parts Seven and Nine – The Twentieth Century and Beyond and Music for Stage and Screen (LO 1-5)

Week 14

Quiz 6 – see announcements for due date.

 

Parts Eight, Ten and Eleven – Jazz, Rock, and Nonwestern Music (LO 1-5)
Week 15

FINAL PROJECT/Concert, Performance or Album REVIEW DUE the SUNDAY immedieately before FINAL EXAMS begin, 11pm (SEE CANVAS)

 

ALL EXTRA CREDIT DUE on same date as FINAL PROJECT.

Quiz 7 – see announcements for due date.

 

 

 

LINK to ACADEMIC CALENDAR

Any date that campus is closed, please allow a minimum of 48 hours for

Dr. Hays to reply to communications. You must PLAN AHEAD for this course as LATE ASSIGNMENTS are NOT ACCEPTED.

 

http://www.nctc.edu/docs/default-source/academic-calendar/academic-calendar-2016-17-final.pdf?sfvrsn=2

 

 

 

CANVAS/Turn-It-In

 

 

 

 

 

 

 

 

 

 

 

 

 

Plagiarism

 

 

 

 

This class will use the online CANVAS system for access to course information; communications; class management; turning in and receiving work; and other functions.

*** YOU MUST ENSURE that your COMPUTER or DEVICE is SET to work with Canvas. I cannot help you if you cannot access quiz material because your computer or device is not set to work with Canvas. Take care of this on the first day of class. Contact IT with any questions.

 

This class will also use YouTube for delivery of musical examples.

 

A large part of the class is made up of discussions on Canvas. Discussions are graded, and each discussion board will give the requirements necessary for a full grade.

 

We will use Turn-it-in drop boxes to check for plagiarism on both papers. Plagiarism will be reported to the Dean of Arts and Sciences and will be dealt with strictly.

 

 

 

 

 

FINAL PROJECT

Your Final Project is the equivalent of your Final Exam. Your Final Project, a written assignment, should demonstrate your ability to clearly communicate your comprehension of the subject material covered throughout the semester. You may choose one of the following options to write about:

 

1) LIVE Performance/Concert

2) Film / Movie Review (from approved list - see below)

 

 

You must choose ONE option from above and write a comprehensive review for your final project. Your final project is a written assignment. Thus, you must follow the guidelines set forth in the syllabus for written assignments or you will receive a ZERO.

 

The purposes of this paper is to: 1) increase your writing and communication skills and 2) demonstrate your knowledge of the subject matter of this course by using vocabulary from the “Elements” chapter in your book.

 

The paper will be a critique of a performance or movie and will require you to list the performers or performing groups in the performance or movie and cite at least three examples of music being performed from the performance or movie (such as an instrumental or vocal work). You must explain if and how the performance was successful or unsuccessful in communicating the composer’s/performer’s intentions for creating the compositions. Any sources must be cited when used. Make an argument and support your point/argument with specific examples from the performance or music presented. BE SURE TO USE THE VOCABULARY FROM THE Chapter titled “Elements” in your text book. Be sure to USE this vocabulary in your paper (for example, terms such as: dynamics, instruments, brass, woodwinds, strings, percussion, soprano, alto, tenor, bass, pitch range, duration, rhythm, etc).

 

Each paper needs to be in MLA format, with your name, the date, and course information, as well as a title. Papers must be typed, preferably in Microsoft Word. You should double space your papers, and type in 12 point font. See Writing Rules on Angel for more information.

 

Page lengths refer to full pages. If your header takes up most of the first page, you will need to make up for it on another page.

 

A few general rules:

1) Do not use contractions in your papers.

2) Formal language should be used at all times.

3) Wikipedia should never be used a source for a paper of any kind.

4) Titles, including movie and CD titles, should be in italics. Song titles should be in “quotation” marks.

5) Cite your sources in your paper, and list them in a works cited list, in proper MLA format. This is very important to avoid plagiarism.

 

There is a book on reserve in the Corinth campus library called Writing About Music that may be helpful.

 

Option 1) Live Performance/Concert Review
You must attend one of the following performances in the DFW area and turn in a 2 page report about the concert. All of the instructions for the Album review apply to the concert option. You must attend the whole performance. Many performances require the purchase of a ticket, but most groups have a student rate that is between $3-15.

Note: Feel free to contact your instructor to ask about a performance not listed here, but please note that Rock or Pop concerts do not count for this assignment. Any concert that presents music that was written before 1945 is an acceptable concert to attend.

The date of the concert must fall during the current semester.

  • Any Dallas Symphony or Fort Worth Symphony Concert: see www.dallassymphony.org or www.fwso.org for schedules. Or any Dallas Opera performance: see http://www.dallasopera.org for schedule. Or any Dallas Winds or Lone Star Wind Orchestra concerts: see http://www.dws.org/ or www.lonestarwindorchestra.com for schedules. There are several other orchestras in the metroplex as well. Please contact your instructor if you would like to attend a concert of a different group.


-Or any of the following types of performances at UNT in Denton: Faculty Recitals, Guest Artist Recitals, or any ensemble performance: Symphony Orchestra, Opera Theatre, Musicals, Wind Symphony, Symphonic Band, Concert Band, Brass Band, Jazz Repertory Ensemble, One O’Clock through Nine O’Clock Lab Bands, Jazz Singers, A Cappella Choir, Canticum Novum, Concert Choir, Grand Chorus, Baroque Orchestra, Chamber concerts, or any other ensemble performances


Go to http://music.unt.edu/performances to find the schedule of performances. Student recitals (listed as Junior, Senior, Masters) will not count. Doctoral performances or lectures are OK.


The Recital Hall, Voertman Hall, Kenton Hall, and Merrill Ellis Theater are all located in the UNT Music Building on Avenue C, between Highland and Chestnut.

The Performing Arts Center is located on North Texas Blvd. off of I-35 E N.

For Ticket prices, visit www.music.unt.edu


-Any NCTC performance. Go to http://www.nctc.edu/calendar/events/ for a list of performances.


-Any Music Theatre of Denton or Denton Community Theater musical performance. Visit http://www.campustheatre.com/ for a schedule. Dallas Summer Musicals would also count - http://www.dallassummermusicals.org/ or another respectable musical theater.


For the paper itself, you should use the following questions to help you write the text.

            What type of music was performed?

Who was performing? Where? (venue type, location, etc.) When? (date, time)

How large was the audience?

What type of audience? (age, gender, etc.)

What was the atmosphere? (dress, loud or quiet audience, etc.)

Where were you in relation to the performers?

What was the performer’s appearance? (dress, etc.)

What instrument(s) were used?

What vocabulary from the “Elements” chapter in my text book were presented?

Was there a printed program?

Was there anything for sale? (food, clothing, etc.)

How long was the performance?

What pieces were performed?

Did you enjoy the performance?

Why did you choose this concert to attend?


These questions should be answered in your paper, not in question/answer form. You should also add general comments about the performance and what made it enjoyable or not enjoyable.

 

OPTION 2 for FINAL PROJECT:

FILM REVIEW

You must watch one of the following documentaries or films from the time periods covered on the tests. Each film is available to be watched in the NCTC Library on the Corinth campus, as well as several at the Flower Mound campus. Many are also available online, through Netflix or other streaming sites. If you find a similar type of film, you can ask permission to write about it.

 

After watching the COMPLETE film or documentary, you must write 1 page minimum (double spaced) paper about the video.

 

The paper should basically be a summary of the video, including when it was made; who was in it or narrated it; who produced the video; what was the subject; if a movie, what was the general plot; what musical examples were included; etc.

 

For the paper itself, you should use the following questions to help you write the text.

            What type of music was performed in this movie?

Who was performing? Where? (venue type, location, etc.) When? (date, time)

How large was the audience? Was there an audience?

What type of audience? (age, gender, etc.)

What was the atmosphere? (dress, loud or quiet audience, etc.)

What was the performer’s appearance? (dress, etc.)

What instrument(s) were used?

What vocabulary from the “Elements” chapter in my text book were presented?

 

Do not copy a summary from the internet or anywhere else, because this is considered PLAIGARISM and is ILLEGAL! Also, I will run your paper through a plagiarism database to check for copied work.

 

Below is a list of available films. You may also be interested in looking on Netflix and email me to ask if there is something you are interested in reviewing elsewhere.

 

Medieval/Renaissance
Medieval Drama: from Sanctuary to Stage                    PN 1761.M43 2000

Baroque
Great Composers: Bach                                                ML 410.B13 B33 2006
Yo-Yo Ma: Inspired by Bach; Cello Suites No. 1 & 2   M 51.I57 2000 v. 1
Yo-Yo Ma: Inspired by Bach; Cello Suites No. 3 & 4   M 51.I57 2000 v. 2
Yo-Yo Ma: Inspired by Bach; Cello Suites No. 5 & 6   M 51.I57 2000 v. 3
Farinelli, il Castrato                                                     PN 1997.F374 2000

Classical
Great Composers: Mozart                                            ML 410.M9 M69 2006
Amadeus                                                                      PR 6037.H23 A8 1997
Amadeus: Director’s Cut                                              PN 1997.A433 1984
Great Composers: Beethoven                                       ML 410.B4 B44 2006
Immortal Beloved                                                        PN 1997.I446 1999
Eroica                                                                          M 1001.B44 E76 2005
Copying Beethoven                                                     PN 1995.9.M86 C679 20007

Romantic
Impromptu                                                                  PN 1997.I447 2005
Great Composers: Wagner                                            ML 410.W1 R53 2006
Great Composers: Tchaikovsky                                   ML 410.C4 T34 2006
The Music Lovers                                                        PN 1997.M87 2011
Great Composers: Puccini                                            ML 410.P89 G53 2006
Great Composers: Mahler                                             ML 410.M23 G874 2006
Keeping Score: Revolutions in Music - Stravinsky's Rite of Spring      MT 130.S77 S777 2006
Keeping Score: The Making of a Performance - Tchaikovsky's 4th Symphony MT 130.C4 K44 2004

 

Jazz
A Great Day in Harlem                                                ML 394.G74 2005
Bird                                                                              PN 1997.B57 2010
Jazz: A Film by Ken Burns (watch 1 part)                    ML 3506.J39 2004 v1-10
A Night in Havana: Dizzy Gillespie in Cuba                  ML 419.G54 N54 2005x
On the Road with Duke Ellington                                 ML 410.E44 O5 2002
Masters of American Music: Celebrating Bird: the Triumph of Charlie Parker ML 419.P4.C45 2009
Masters of American Music: Count Basie: Swingin' the Blues                         ML 422.B25 C68 2010
Masters of American Music: Lady Day: the Many Faces of Billie Holiday          ML 420.H58 L33 2009
Masters of American Music: Sara Vaughn: the Divine One                              ML 420.V3 S27 2010
Masters of American Music: The Story of Jazz                                              ML 3506.S76 2009
Masters of American Music: Thelonius Monk: American Composer     ML 417.M84 T43 2009
Masters of American Music: The World According to John Coltrane    ML 419.C6 W67 2010

 

Other
Broadway: The American Musical (watch 1 part)         ML 1711.8.N3 K34 2004 pt 1-6
The Pianist                                                                  PN 1997.2.P53 2006
Karajan: Or Beauty As I See It                                     ML 422.K22 K38 2008
Lomax: The Songhunter                                              ML 423.L68 L65 2007
Mr. Holland’s Opus                                                      PN 1997.M7897 1995
Touch the Sound                                                          ML 419.G54 2006
Solti: Orchestra!                                                           ML 1200.O74 2007e
Music of the Heart                                                       PN 1997.M8745 2000
Music from the Inside Out                                            M 1.M87 2007
Glass: A Portrait of Philip in Twelve Parts                  ML 410.G398 G53 2009
Leonard Bernstein: the Gift of Music                           ML 410 .B566 L46 2007
Leonard Bernstein: Omnibus                                        MT 90.L4 2010X
Leonard Bernstein - Reaching for the Note                  ML 410.B566 L45 1998
The Red Violin                                                             PN 1997.R438 2003
Taking Sides                                                                 PN 1997.2.T35 2004
You Cannot Start Without Me: Valery Gergiev-Maestro ML 422.G46 Y58 2010
Keeping Score: Copland and the American Sound         MT 130.C6 C66 2006
Leaving Home: Orchestral Music in the 20th Century ML 197.L43 2005 v1-7
Reichorchester: The Berlin Philharmonic                    ML 1229.8.B52 R45 2007
Rejoice & Shout                                                           ML 3187 .R45 2011
Violin Masters: Two Gentlemen of Cremona (PBS)      ML 424 .S8 V56 2012

 

 

 

 

 

 

 

 

 

Extra Credit (up to 10%)

Options for EXTRA CREDIT: You may choose to do 2 additional concert or film reviews. You may also choose to do 1 Album Review (any album of your choice) OR a Composer Research paper. Turn in any EXTRA CREDIT with your FINAL PROJECT.

Each review is worth up to an additional 5%. You may earn up to a total of 10% Extra Credit.

Should you choose to do an Album review of your choice, be sure to address the same information assigned for the Concert or Movie Review. Be sure to demonstrate the understanding and use of vocabulary terms from the “Elements” chapter in your text.

Should you choose to write a composer research paper, here are the guidelines:

2 pages minimum with required separate page for a Bibliography (if applicable).

You must research a Composer of your choice. Only credible, academic sources allowed (not Wikipedia). You should discuss the composer’s life: including dates, childhood, parents, studies, teachers, performances, family, social standing, special inventions, compositional practices, and you must mention what piece/s for which they are most famous. This paper should be formally written. An introduction, body and conclusion are required, as well as a bibliography. You should choose at least one well-known work by this composer and use the VOCABULARY from the “Elements” chapter to discuss the work. You must demonstrate your comprehension of the vocabulary with clearly written communication from the course in this paper in order to receive credit.

 

Extra credit is due the same day as the FINAL PROJECT. All Extra Credit is considered a WRITTEN assignment and must meet the guidelines/stipulations for written assignments in this course.